Image note
Three original interpretations of settlement mounds & water passages, informed by Biblical Tels - Megiddo, Hazor, Beer Sheba. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuseThe colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork recordThree views of one material idea.
Megiddo, Hazor and Beer Sheba preserve layers of settlement and substantial underground water systems. These archaeological sites connect the visible city with infrastructure cut below its surface.
Read the material study01 / Reading the material
The city below the city
The water systems beneath Megiddo, Hazor and Beer Sheba extend the reading of a settlement beyond its visible surface. A mound records accumulated occupation; a descending passage describes another kind of connection through that mass. A plan alone leaves much of this relationship hidden.
02 / From surface to space
Read the whole.
Then the edge.
Use a section to connect surface, descent and destination. Changes in enclosure and direction make an underground route legible without requiring elaborate exterior form. The infrastructure becomes part of the city’s organization rather than a separate technical footnote.
Draw a section from the settlement mound into a water passage. How does a hidden route change the way the city above is understood?
03 / Colour in context
A palette you can work with.
Five tones drawn from the material portrait. Select a colour, compare it on paper and ink, or copy its value into your own study.
Surface
#6a4a27
Colour values & paper / ink comparison
oklch(0.436 0.066 67.007) · primary
The colour stays fixed as its surroundings change.
Try the bench exercise
04 / At the bench
Make the observation tangible.
Draw an original inhabited surface with a clearly connected passage below it. Distinguish successive layers from deliberate cuts. Keep the drawing illustrative and avoid inferring engineering dimensions from an architectural impression.
Keep a view of the whole beside a close detail. Note the material, lighting and the one variable you changed.
Source & orientation
Keep the reference close.
UNESCO World Heritage Centre. (n.d.). Biblical Tels - Megiddo, Hazor, Beer Sheba. Retrieved October 10, 2026.
The material readings and bench exercise are editorial studies of this particular reference. The artwork explores its material ideas; the linked source documents the place.
Artwork & cartographic records
Artwork record · Geographic plate record. Map geometry: Natural Earth, public domain. The archive follows its map’s place names, including territories and disputed areas.
A closer look
Questions about this study
What does this study of Israel focus on?
Megiddo, Hazor and Beer Sheba preserve layers of settlement and substantial underground water systems. These archaeological sites connect the visible city with infrastructure cut below its surface.
Where can I find the original reference?
Biblical Tels - Megiddo, Hazor, Beer Sheba, published by UNESCO World Heritage Centre. The artwork explores the reference’s material ideas; the linked source documents the place.
What could I try at the bench?
Draw an original inhabited surface with a clearly connected passage below it. Distinguish successive layers from deliberate cuts. Keep the drawing illustrative and avoid inferring engineering dimensions from an architectural impression.
Continue by material
