THE MATERIAL ATLAS / 177 ENTRIES

A world of
material difference.

Follow a colour, a craft or a place. Discover the surfaces that shape how we see.Enter the collection

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Region177 / 177 entries

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Let a material lead.

Editorial connections across the collection.

THE COLLECTION

Places, in colour.

177 entries across the atlas

Afghanistan: a tabletop material and section study exploring patterned brick & a narrow river valley. — Image note
Three original interpretations of patterned brick & a narrow river valley, informed by Minaret and Archaeological Remains of Jam. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

AFG / Glaze & repetition

Afghanistan

Patterned brick & a narrow river valley

Albania: a tabletop material and section study exploring archaeological layers & wetland edges. — Image note
Three original interpretations of archaeological layers & wetland edges, informed by Butrint. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

ALB / Stone & substance

Albania

Archaeological layers & wetland edges

Algeria: a tabletop material and section study exploring fortified ruins & repeated prayer bays. — Image note
Three original interpretations of fortified ruins & repeated prayer bays, informed by Al Qal'a of Beni Hammad. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

DZA / Stone & substance

Algeria

Fortified ruins & repeated prayer bays

Angola: a tabletop material and section study exploring royal spaces & changing construction. — Image note
Three original interpretations of royal spaces & changing construction, informed by Mbanza Kongo, Vestiges of the Capital of the former Kingdom of Kongo. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

AGO / Stone & substance

Angola

Royal spaces & changing construction

Antarctica: a tabletop material and section study exploring elevated research modules & moving ice. — Image note
Three original interpretations of elevated research modules & moving ice, informed by Seventy years on the ice: Halley Research Station. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

ATA / Metal & reflection

Antarctica

Elevated research modules & moving ice

Argentina: a tabletop material and section study exploring pigment, rock & negative space. — Image note
Three original interpretations of pigment, rock & negative space, informed by Cueva de las Manos, Río Pinturas. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

ARG / Stone & substance

Argentina

Pigment, rock & negative space

Armenia: a tabletop material and section study exploring rock-cut rooms & cliffside masonry. — Image note
Three original interpretations of rock-cut rooms & cliffside masonry, informed by Monastery of Geghard and the Upper Azat Valley. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

ARM / Stone & substance

Armenia

Rock-cut rooms & cliffside masonry

An overhead study of sandstone, ironbark end grain and ochre pigment with a fine section drawing. — Image note
An interpretation of the entry’s sandstone, ironbark and ochre. The architecture and section drawing are imagined, not records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

AUS / Grain & direction

Australia

Ironbark hardwood, red earth ochre & Sydney sandstone

An overhead study of gilded plaster and curved beech with a fine section drawing. — Image note
An interpretation of the entry’s plaster, bentwood beech and gold leaf. The architecture and section drawing are imagined, not records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

AUT / Metal & reflection

Austria

Gold leaf, white plaster & bentwood beech

Azerbaijan: a tabletop material and section study exploring engraved boulders & inhabited shelters. — Image note
Three original interpretations of engraved boulders & inhabited shelters, informed by Gobustan Rock Art Cultural Landscape. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

AZE / Stone & substance

Azerbaijan

Engraved boulders & inhabited shelters

Bahamas: a tabletop material and section study exploring plaited straw & woven volume. — Image note
Three original interpretations of plaited straw & woven volume, informed by Straw by Storr. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

BHS / Grain & direction

Bahamas

Plaited straw & woven volume

Bangladesh: a tabletop material and section study exploring brick mosques & repeated bays. — Image note
Three original interpretations of brick mosques & repeated bays, informed by Historic Mosque City of Bagerhat. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

BGD / Glaze & repetition

Bangladesh

Brick mosques & repeated bays

Belarus: a tabletop material and section study exploring layered castle forms & repeated rebuilding. — Image note
Three original interpretations of layered castle forms & repeated rebuilding, informed by Mir Castle Complex. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

BLR / Glaze & repetition

Belarus

Layered castle forms & repeated rebuilding

Belgium: a tabletop material and section study exploring domestic courts & shared green space. — Image note
Three original interpretations of domestic courts & shared green space, informed by Flemish Béguinages. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

BEL / Stone & substance

Belgium

Domestic courts & shared green space

Belize: a tabletop material and section study exploring reef edges, cays & coastal lagoons. — Image note
Three original interpretations of reef edges, cays & coastal lagoons, informed by Belize Barrier Reef Reserve System. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

BLZ / Light & depth

Belize

Reef edges, cays & coastal lagoons

Benin: a tabletop material and section study exploring earthen enclosures & palace sequences. — Image note
Three original interpretations of earthen enclosures & palace sequences, informed by Royal Palaces of Abomey. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

BEN / Stone & substance

Benin

Earthen enclosures & palace sequences

Bhutan: a tabletop material and section study exploring dzong walls & timber thresholds. — Image note
Three original interpretations of dzong walls & timber thresholds, informed by Dzongs: centres of temporal and religious authority. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

BTN / Grain & direction

Bhutan

Dzong walls & timber thresholds

Bolivia: a tabletop material and section study exploring carved rock & settlement terraces. — Image note
Three original interpretations of carved rock & settlement terraces, informed by Fuerte de Samaipata. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

BOL / Stone & substance

Bolivia

Carved rock & settlement terraces

Bosnia and Herzegovina: a tabletop material and section study exploring stone arches & the work of rebuilding. — Image note
Three original interpretations of stone arches & the work of rebuilding, informed by Old Bridge Area of the Old City of Mostar. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

BIH / Stone & substance

Bosnia and Herzegovina

Stone arches & the work of rebuilding

Botswana: a tabletop material and section study exploring painted rock & sacred hills. — Image note
Three original interpretations of painted rock & sacred hills, informed by Tsodilo. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

BWA / Stone & substance

Botswana

Painted rock & sacred hills

Brazil: an overhead material and section study of board-formed concrete & jacaranda wood. — Image note
An interpretation of board-formed concrete & jacaranda wood. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

BRA / Grain & direction

Brazil

Board-formed concrete & jacaranda wood

Brunei: a tabletop material and section study exploring raised houses & connected walkways. — Image note
Three original interpretations of raised houses & connected walkways, informed by Kampong Ayer walking trail. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

BRN / Grain & direction

Brunei

Raised houses & connected walkways

Bulgaria: a tabletop material and section study exploring rock-cut chapels & painted chambers. — Image note
Three original interpretations of rock-cut chapels & painted chambers, informed by Rock-Hewn Churches of Ivanovo. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

BGR / Stone & substance

Bulgaria

Rock-cut chapels & painted chambers

Burkina Faso: a tabletop material and section study exploring stone enclosures & gold-trade routes. — Image note
Three original interpretations of stone enclosures & gold-trade routes, informed by Ruins of Loropéni. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

BFA / Stone & substance

Burkina Faso

Stone enclosures & gold-trade routes

Burundi: a tabletop material and section study exploring drum making & collective rhythm. — Image note
Three original interpretations of drum making & collective rhythm, informed by Ritual dance of the royal drum. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

BDI / Grain & direction

Burundi

Drum making & collective rhythm

Cambodia: a tabletop material and section study exploring temple complexes & carved surfaces. — Image note
Three original interpretations of temple complexes & carved surfaces, informed by Angkor. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

KHM / Stone & substance

Cambodia

Temple complexes & carved surfaces

Cameroon: a tabletop material and section study exploring dry-stone structures & terraced slopes. — Image note
Three original interpretations of dry-stone structures & terraced slopes, informed by Diy-Gid-Biy Cultural Landscape of the Mandara Mountains. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

CMR / Stone & substance

Cameroon

Dry-stone structures & terraced slopes

Canada: a tabletop material and section study exploring timber frames & turf envelopes. — Image note
Three original interpretations of timber frames & turf envelopes, informed by L’Anse aux Meadows National Historic Site. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

CAN / Grain & direction

Canada

Timber frames & turf envelopes

Central African Republic: a tabletop material and section study exploring savannah fields & seasonal floodplains. — Image note
Three original interpretations of savannah fields & seasonal floodplains, informed by Manovo-Gounda St Floris National Park. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

CAF / Grain & direction

Central African Republic

Savannah fields & seasonal floodplains

Chad: a tabletop material and section study exploring sandstone arches & sheltered surfaces. — Image note
Three original interpretations of sandstone arches & sheltered surfaces, informed by Ennedi Massif: Natural and Cultural Landscape. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

TCD / Stone & substance

Chad

Sandstone arches & sheltered surfaces

Chile: a tabletop material and section study exploring stone figures & ceremonial platforms. — Image note
Three original interpretations of stone figures & ceremonial platforms, informed by Rapa Nui National Park. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

CHL / Stone & substance

Chile

Stone figures & ceremonial platforms

China: an overhead material and section study of lacquered nanmu wood & imperial yellow glazed tile. — Image note
An interpretation of lacquered nanmu wood & imperial yellow glazed tile. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

CHN / Glaze & repetition

China

Lacquered nanmu wood & imperial yellow glazed tile

Colombia: an overhead material and section study of tumbaga gold alloy, emerald crystal & guadua bamboo. — Image note
An interpretation of tumbaga gold alloy, emerald crystal & guadua bamboo. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

COL / Light & depth

Colombia

Tumbaga gold alloy, emerald crystal & guadua bamboo

Costa Rica: a tabletop material and section study exploring stone spheres & archaeological placement. — Image note
Three original interpretations of stone spheres & archaeological placement, informed by Precolumbian Chiefdom Settlements with Stone Spheres of the Diquís. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

CRI / Stone & substance

Costa Rica

Stone spheres & archaeological placement

Côte d’Ivoire: a tabletop material and section study exploring verandas, galleries & coastal quarters. — Image note
Three original interpretations of verandas, galleries & coastal quarters, informed by Historic Town of Grand-Bassam. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

CIV / Grain & direction

Côte d’Ivoire

Verandas, galleries & coastal quarters

Croatia: a tabletop material and section study exploring stone vaults & assembled surfaces. — Image note
Three original interpretations of stone vaults & assembled surfaces, informed by The Cathedral of St James in Šibenik. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

HRV / Stone & substance

Croatia

Stone vaults & assembled surfaces

Cuba: a tabletop material and section study exploring arcades, balconies & inner courts. — Image note
Three original interpretations of arcades, balconies & inner courts, informed by Old Havana and its Fortification System. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

CUB / Stone & substance

Cuba

Arcades, balconies & inner courts

Cyprus: a tabletop material and section study exploring mosaic floors & archaeological rooms. — Image note
Three original interpretations of mosaic floors & archaeological rooms, informed by Paphos. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

CYP / Glaze & repetition

Cyprus

Mosaic floors & archaeological rooms

Czech Republic: an overhead material and section study of bohemian cut crystal, moroccan onyx & chromed steel. — Image note
An interpretation of bohemian cut crystal, moroccan onyx & chromed steel. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

CZE / Light & depth

Czech Republic

Bohemian cut crystal, Moroccan onyx & chromed steel

Democratic Republic of the Congo: a tabletop material and section study exploring lava plains & highland transitions. — Image note
Three original interpretations of lava plains & highland transitions, informed by Virunga National Park. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

COD / Stone & substance

Democratic Republic of the Congo

Lava plains & highland transitions

Denmark: an overhead material and section study of molded teak & beech. — Image note
An interpretation of molded teak & beech. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

DNK / Grain & direction

Denmark

Molded teak & beech

Djibouti: a tabletop material and section study exploring salt-water edges & mineral crusts. — Image note
Three original interpretations of salt-water edges & mineral crusts, informed by Le Lac Assal. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

DJI / Light & depth

Djibouti

Salt-water edges & mineral crusts

Dominican Republic: a tabletop material and section study exploring urban grids & colonial thresholds. — Image note
Three original interpretations of urban grids & colonial thresholds, informed by Colonial City of Santo Domingo. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

DOM / Stone & substance

Dominican Republic

Urban grids & colonial thresholds

Ecuador: a tabletop material and section study exploring highland courtyards & layered interiors. — Image note
Three original interpretations of highland courtyards & layered interiors, informed by City of Quito. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

ECU / Stone & substance

Ecuador

Highland courtyards & layered interiors

Egypt: an overhead material and section study of tura limestone, red granite & gold leaf. — Image note
An interpretation of tura limestone, red granite & gold leaf. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

EGY / Stone & substance

Egypt

Tura limestone, red granite & gold leaf

El Salvador: a tabletop material and section study exploring buried domestic spaces & volcanic layers. — Image note
Three original interpretations of buried domestic spaces & volcanic layers, informed by Joya de Cerén Archaeological Site. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

SLV / Stone & substance

El Salvador

Buried domestic spaces & volcanic layers

Equatorial Guinea: a tabletop material and section study exploring malabo streets & lived architecture. — Image note
Three original interpretations of malabo streets & lived architecture, informed by Malabo: ciudad y arquitectura. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

GNQ / Stone & substance

Equatorial Guinea

Malabo streets & lived architecture

Eritrea: a tabletop material and section study exploring modernist forms & lived urban fabric. — Image note
Three original interpretations of modernist forms & lived urban fabric, informed by Asmara: A Modernist African City. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

ERI / Stone & substance

Eritrea

Modernist forms & lived urban fabric

Estonia: a tabletop material and section study exploring merchant houses & medieval streets. — Image note
Three original interpretations of merchant houses & medieval streets, informed by Historic Centre (Old Town) of Tallinn. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

EST / Stone & substance

Estonia

Merchant houses & medieval streets

Eswatini: a tabletop material and section study exploring recycled bottle glass & blown form. — Image note
Three original interpretations of recycled bottle glass & blown form, informed by Recycling at Ngwenya Glass. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

SWZ / Light & depth

Eswatini

Recycled bottle glass & blown form

Ethiopia: a tabletop material and section study exploring monolithic churches & excavated depth. — Image note
Three original interpretations of monolithic churches & excavated depth, informed by Rock-Hewn Churches, Lalibela. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

ETH / Stone & substance

Ethiopia

Monolithic churches & excavated depth

Falkland Islands: a tabletop material and section study exploring quartzite blocks & stone runs. — Image note
Three original interpretations of quartzite blocks & stone runs, informed by Constraining the age and formation of stone runs in the Falkland Islands. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

FLK / Stone & substance

Falkland Islands

Quartzite blocks & stone runs

Fiji: a tabletop material and section study exploring low-rise timber streetscapes. — Image note
Three original interpretations of low-rise timber streetscapes, informed by Levuka Historical Port Town. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

FJI / Grain & direction

Fiji

Low-rise timber streetscapes

Finland: an overhead material and section study of molded bent birch plywood & copper fittings. — Image note
An interpretation of molded bent birch plywood & copper fittings. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

FIN / Grain & direction

Finland

Molded bent birch plywood & copper fittings

France: an overhead material and section study of limestone & wrought iron. — Image note
An interpretation of limestone & wrought iron. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

FRA / Stone & substance

France

Limestone & wrought iron

French Southern and Antarctic Lands: a tabletop material and section study exploring remote island edges & open ocean. — Image note
Three original interpretations of remote island edges & open ocean, informed by French Austral Lands and Seas. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

ATF / Stone & substance

French Southern and Antarctic Lands

Remote island edges & open ocean

Gabon: a tabletop material and section study exploring forest edges & engraved landscapes. — Image note
Three original interpretations of forest edges & engraved landscapes, informed by Ecosystem and Relict Cultural Landscape of Lopé-Okanda. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

GAB / Stone & substance

Gabon

Forest edges & engraved landscapes

Gambia: a tabletop material and section study exploring river sites & histories of enslavement. — Image note
Three original interpretations of river sites & histories of enslavement, informed by Kunta Kinteh Island and Related Sites. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

GMB / Stone & substance

Gambia

River sites & histories of enslavement

Georgia: a tabletop material and section study exploring mountain tower-houses & village groups. — Image note
Three original interpretations of mountain tower-houses & village groups, informed by Upper Svaneti. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

GEO / Stone & substance

Georgia

Mountain tower-houses & village groups

Germany: an overhead material and section study of industrial steel & plate glass. — Image note
An interpretation of industrial steel & plate glass. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

DEU / Metal & reflection

Germany

Industrial steel & plate glass

Ghana: an overhead material and section study of handwoven kente silk, beaten gold & laterite earth. — Image note
An interpretation of handwoven kente silk, beaten gold & laterite earth. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

GHA / Grain & direction

Ghana

Handwoven kente silk, beaten gold & laterite earth

Greece: an overhead material and section study of pentelic marble & bronze clamps. — Image note
An interpretation of pentelic marble & bronze clamps. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

GRC / Stone & substance

Greece

Pentelic marble & bronze clamps

Greenland: a tabletop material and section study exploring glacial ice & calving edges. — Image note
Three original interpretations of glacial ice & calving edges, informed by Ilulissat Icefjord. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

GRL / Light & depth

Greenland

Glacial ice & calving edges

Guatemala: a tabletop material and section study exploring courtyard ruins & earthquake memory. — Image note
Three original interpretations of courtyard ruins & earthquake memory, informed by Antigua Guatemala. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

GTM / Stone & substance

Guatemala

Courtyard ruins & earthquake memory

Guinea: a tabletop material and section study exploring forest slopes & mountain grasslands. — Image note
Three original interpretations of forest slopes & mountain grasslands, informed by Mount Nimba Strict Nature Reserve. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

GIN / Grain & direction

Guinea

Forest slopes & mountain grasslands

Guinea-Bissau: a tabletop material and section study exploring mangroves, mudflats & tidal margins. — Image note
Three original interpretations of mangroves, mudflats & tidal margins, informed by Coastal and Marine Ecosystems of the Bijagós Archipelago – Omatí Minhô. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

GNB / Stone & substance

Guinea-Bissau

Mangroves, mudflats & tidal margins

Guyana: a tabletop material and section study exploring timber houses & shaded windows. — Image note
Three original interpretations of timber houses & shaded windows, informed by Ministry of Education, 21 Brickdam. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

GUY / Grain & direction

Guyana

Timber houses & shaded windows

Haiti: a tabletop material and section study exploring fortified mass & independence monuments. — Image note
Three original interpretations of fortified mass & independence monuments, informed by National History Park – Citadel, Sans Souci, Ramiers. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

HTI / Stone & substance

Haiti

Fortified mass & independence monuments

Honduras: a tabletop material and section study exploring maya plazas & carved stone. — Image note
Three original interpretations of maya plazas & carved stone, informed by Maya Site of Copan. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

HND / Stone & substance

Honduras

Maya plazas & carved stone

Hungary: a tabletop material and section study exploring riverfront ensembles & urban slopes. — Image note
Three original interpretations of riverfront ensembles & urban slopes, informed by Budapest, including the Banks of the Danube, the Buda Castle Quarter and Andrássy Avenue. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

HUN / Stone & substance

Hungary

Riverfront ensembles & urban slopes

Iceland: a tabletop material and section study exploring turf booths & an open-air assembly. — Image note
Three original interpretations of turf booths & an open-air assembly, informed by Þingvellir National Park. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

ISL / Stone & substance

Iceland

Turf booths & an open-air assembly

India: an overhead material and section study of makrana marble & sandstone. — Image note
An interpretation of makrana marble & sandstone. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

IND / Stone & substance

India

Makrana marble & sandstone

Indonesia: an overhead material and section study of wax-resist cotton & carved volcanic stone. — Image note
An interpretation of wax-resist cotton & carved volcanic stone. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

IDN / Grain & direction

Indonesia

Wax-resist cotton & carved volcanic stone

Iran: an overhead material and section study of haft-rangi glazed ceramic tile & isfahan alabaster. — Image note
An interpretation of haft-rangi glazed ceramic tile & isfahan alabaster. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

IRN / Glaze & repetition

Iran

Haft-rangi glazed ceramic tile & Isfahan alabaster

Iraq: a tabletop material and section study exploring fortified walls & temple ensembles. — Image note
Three original interpretations of fortified walls & temple ensembles, informed by Hatra. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

IRQ / Stone & substance

Iraq

Fortified walls & temple ensembles

Ireland: a tabletop material and section study exploring island rock & monastic enclosure. — Image note
Three original interpretations of island rock & monastic enclosure, informed by Sceilg Mhichíl. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

IRL / Stone & substance

Ireland

Island rock & monastic enclosure

Israel: a tabletop material and section study exploring settlement mounds & water passages. — Image note
Three original interpretations of settlement mounds & water passages, informed by Biblical Tels - Megiddo, Hazor, Beer Sheba. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

ISR / Stone & substance

Israel

Settlement mounds & water passages

Italy: an overhead material and section study of carrara marble. — Image note
An interpretation of carrara marble. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

ITA / Stone & substance

Italy

Carrara marble

Jamaica: a tabletop material and section study exploring submerged streets & archaeological layers. — Image note
Three original interpretations of submerged streets & archaeological layers, informed by The Archaeological Ensemble of 17th Century Port Royal. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

JAM / Stone & substance

Jamaica

Submerged streets & archaeological layers

Japan: an overhead material and section study of hinoki cypress & washi paper. — Image note
An interpretation of hinoki cypress & washi paper. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

JPN / Grain & direction

Japan

Hinoki cypress & washi paper

Jordan: a tabletop material and section study exploring carved sandstone & narrow passages. — Image note
Three original interpretations of carved sandstone & narrow passages, informed by Petra. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

JOR / Stone & substance

Jordan

Carved sandstone & narrow passages

Kazakhstan: a tabletop material and section study exploring engraved rock & layered landscapes. — Image note
Three original interpretations of engraved rock & layered landscapes, informed by Petroglyphs of the Archaeological Landscape of Tanbaly. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

KAZ / Stone & substance

Kazakhstan

Engraved rock & layered landscapes

Kenya: a tabletop material and section study exploring coral stone & mangrove timber. — Image note
Three original interpretations of coral stone & mangrove timber, informed by Lamu Old Town. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

KEN / Grain & direction

Kenya

Coral stone & mangrove timber

Kosovo: a tabletop material and section study exploring monastery ensembles & wall painting. — Image note
Three original interpretations of monastery ensembles & wall painting, informed by Medieval Monuments in Kosovo. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

XKX / Stone & substance

Kosovo

Monastery ensembles & wall painting

Kuwait: a tabletop material and section study exploring al sadu fibres & woven geometry. — Image note
Three original interpretations of al sadu fibres & woven geometry, informed by Traditional weaving of Al Sadu. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

KWT / Grain & direction

Kuwait

Al Sadu fibres & woven geometry

Kyrgyzstan: a tabletop material and section study exploring sacred slopes & connected footpaths. — Image note
Three original interpretations of sacred slopes & connected footpaths, informed by Sulaiman-Too Sacred Mountain. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

KGZ / Stone & substance

Kyrgyzstan

Sacred slopes & connected footpaths

Laos: a tabletop material and section study exploring carved stone jars & funerary ground. — Image note
Three original interpretations of carved stone jars & funerary ground, informed by Megalithic Jar Sites in Xiengkhuang – Plain of Jars. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

LAO / Stone & substance

Laos

Carved stone jars & funerary ground

Latvia: a tabletop material and section study exploring art nouveau detail & timber suburbs. — Image note
Three original interpretations of art nouveau detail & timber suburbs, informed by Historic Centre of Riga. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

LVA / Grain & direction

Latvia

Art Nouveau detail & timber suburbs

Lebanon: a tabletop material and section study exploring regular streets & umayyad planning. — Image note
Three original interpretations of regular streets & umayyad planning, informed by Anjar. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

LBN / Stone & substance

Lebanon

Regular streets & Umayyad planning

Lesotho: a tabletop material and section study exploring basalt heights & sandstone shelters. — Image note
Three original interpretations of basalt heights & sandstone shelters, informed by Maloti-Drakensberg Park. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

LSO / Stone & substance

Lesotho

Basalt heights & sandstone shelters

Liberia: a tabletop material and section study exploring indigo cotton & joined woven strips. — Image note
Three original interpretations of indigo cotton & joined woven strips, informed by Blanket, Vai artist, object 84-8-8. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

LBR / Grain & direction

Liberia

Indigo cotton & joined woven strips

Libya: a tabletop material and section study exploring civic monuments & a trading harbour. — Image note
Three original interpretations of civic monuments & a trading harbour, informed by Archaeological Site of Leptis Magna. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

LBY / Stone & substance

Libya

Civic monuments & a trading harbour

Lithuania: a tabletop material and section study exploring interwar facades & modern urban life. — Image note
Three original interpretations of interwar facades & modern urban life, informed by Modernist Kaunas: Architecture of Optimism, 1919-1939. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

LTU / Stone & substance

Lithuania

Interwar facades & modern urban life

Luxembourg: a tabletop material and section study exploring fortified edges & layered defence. — Image note
Three original interpretations of fortified edges & layered defence, informed by City of Luxembourg: its Old Quarters and Fortifications. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

LUX / Stone & substance

Luxembourg

Fortified edges & layered defence

Madagascar: a tabletop material and section study exploring royal enclosures & sacred hills. — Image note
Three original interpretations of royal enclosures & sacred hills, informed by Royal Hill of Ambohimanga. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

MDG / Stone & substance

Madagascar

Royal enclosures & sacred hills

Malawi: a tabletop material and section study exploring granite shelters & painted histories. — Image note
Three original interpretations of granite shelters & painted histories, informed by Chongoni Rock-Art Area. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

MWI / Stone & substance

Malawi

Granite shelters & painted histories

Malaysia: a tabletop material and section study exploring stone tools & archaeological workshops. — Image note
Three original interpretations of stone tools & archaeological workshops, informed by Archaeological Heritage of the Lenggong Valley. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

MYS / Stone & substance

Malaysia

Stone tools & archaeological workshops

Mali: a tabletop material and section study exploring monumental earth & projecting timber. — Image note
Three original interpretations of monumental earth & projecting timber, informed by Tomb of Askia. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

MLI / Stone & substance

Mali

Monumental earth & projecting timber

Mauritania: a tabletop material and section study exploring patio houses & caravan-town streets. — Image note
Three original interpretations of patio houses & caravan-town streets, informed by Ancient Ksour of Ouadane, Chinguetti, Tichitt and Oualata. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

MRT / Stone & substance

Mauritania

Patio houses & caravan-town streets

Mexico: an overhead material and section study of volcanic basalt stone (pedregal) & rough lime plaster. — Image note
An interpretation of volcanic basalt stone (pedregal) & rough lime plaster. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

MEX / Stone & substance

Mexico

Volcanic basalt stone (pedregal) & rough lime plaster

Moldova: a tabletop material and section study exploring survey points & measured distance. — Image note
Three original interpretations of survey points & measured distance, informed by Struve Geodetic Arc. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

MDA / Stone & substance

Moldova

Survey points & measured distance

Mongolia: a tabletop material and section study exploring altai rock carvings & pastoral change. — Image note
Three original interpretations of altai rock carvings & pastoral change, informed by Petroglyphic Complexes of the Mongolian Altai. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

MNG / Stone & substance

Mongolia

Altai rock carvings & pastoral change

Montenegro: a tabletop material and section study exploring harbour masonry & walled streets. — Image note
Three original interpretations of harbour masonry & walled streets, informed by Natural and Culturo-Historical Region of Kotor. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

MNE / Stone & substance

Montenegro

Harbour masonry & walled streets

Morocco: an overhead material and section study of zellige glazed terracotta, sculpted stucco & cedarwood. — Image note
An interpretation of zellige glazed terracotta, sculpted stucco & cedarwood. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

MAR / Glaze & repetition

Morocco

Zellige glazed terracotta, sculpted stucco & cedarwood

Mozambique: a tabletop material and section study exploring stone, macuti & island streets. — Image note
Three original interpretations of stone, macuti & island streets, informed by Island of Mozambique. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

MOZ / Grain & direction

Mozambique

Stone, macuti & island streets

Myanmar: a tabletop material and section study exploring brick stupas & water-managed cities. — Image note
Three original interpretations of brick stupas & water-managed cities, informed by Pyu Ancient Cities. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

MMR / Glaze & repetition

Myanmar

Brick stupas & water-managed cities

Namibia: a tabletop material and section study exploring rock engraving & surface memory. — Image note
Three original interpretations of rock engraving & surface memory, informed by Twyfelfontein or /Ui-//aes. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

NAM / Stone & substance

Namibia

Rock engraving & surface memory

Nepal: a tabletop material and section study exploring durbar squares & sacred ensembles. — Image note
Three original interpretations of durbar squares & sacred ensembles, informed by Kathmandu Valley. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

NPL / Grain & direction

Nepal

Durbar squares & sacred ensembles

Netherlands: an overhead material and section study of delft blue ceramic. — Image note
An interpretation of delft blue ceramic. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

NLD / Glaze & repetition

Netherlands

Delft blue ceramic

New Caledonia: a tabletop material and section study exploring lagoon gradients & reef structures. — Image note
Three original interpretations of lagoon gradients & reef structures, informed by Lagoons of New Caledonia: Reef Diversity and Associated Ecosystems. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

NCL / Light & depth

New Caledonia

Lagoon gradients & reef structures

New Zealand: a tabletop material and section study exploring volcanic mountains & sacred landscape. — Image note
Three original interpretations of volcanic mountains & sacred landscape, informed by Tongariro National Park. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

NZL / Stone & substance

New Zealand

Volcanic mountains & sacred landscape

Nicaragua: a tabletop material and section study exploring archaeological footprints & urban grids. — Image note
Three original interpretations of archaeological footprints & urban grids, informed by Ruins of León Viejo. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

NIC / Stone & substance

Nicaragua

Archaeological footprints & urban grids

Niger: a tabletop material and section study exploring mud-brick towers & irregular quarters. — Image note
Three original interpretations of mud-brick towers & irregular quarters, informed by Historic Centre of Agadez. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

NER / Stone & substance

Niger

Mud-brick towers & irregular quarters

Nigeria: an overhead material and section study of cast bronze, carved ivory & laterite red mudbrick. — Image note
An interpretation of cast bronze, carved ivory & laterite red mudbrick. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

NGA / Metal & reflection

Nigeria

Cast bronze, carved ivory & laterite red mudbrick

North Korea: a tabletop material and section study exploring tomb chambers & wall painting. — Image note
Three original interpretations of tomb chambers & wall painting, informed by Complex of Koguryo Tombs. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

PRK / Stone & substance

North Korea

Tomb chambers & wall painting

North Macedonia: a tabletop material and section study exploring lakeshore settlements & layered heritage. — Image note
Three original interpretations of lakeshore settlements & layered heritage, informed by Natural and Cultural Heritage of the Ohrid region. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

MKD / Stone & substance

North Macedonia

Lakeshore settlements & layered heritage

Northern Cyprus: a tabletop material and section study exploring fortified courtyards & shared conservation. — Image note
Three original interpretations of fortified courtyards & shared conservation, informed by Reopening of the Othello Tower/Citadel in Famagusta. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

XNC / Stone & substance

Northern Cyprus

Fortified courtyards & shared conservation

Norway: a tabletop material and section study exploring stave construction & carved timber. — Image note
Three original interpretations of stave construction & carved timber, informed by Urnes Stave Church. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

NOR / Grain & direction

Norway

Stave construction & carved timber

Oman: a tabletop material and section study exploring unbaked brick & stone foundations. — Image note
Three original interpretations of unbaked brick & stone foundations, informed by Bahla Fort. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

OMN / Stone & substance

Oman

Unbaked brick & stone foundations

Pakistan: a tabletop material and section study exploring indus urban plans & brick construction. — Image note
Three original interpretations of indus urban plans & brick construction, informed by Archaeological Ruins at Moenjodaro. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

PAK / Glaze & repetition

Pakistan

Indus urban plans & brick construction

Palestine: a tabletop material and section study exploring stone terraces & shared irrigation. — Image note
Three original interpretations of stone terraces & shared irrigation, informed by Palestine: Land of Olives and Vines – Cultural Landscape of Southern Jerusalem, Battir. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

PSE / Stone & substance

Palestine

Stone terraces & shared irrigation

Panama: a tabletop material and section study exploring coastal fortifications & harbour edges. — Image note
Three original interpretations of coastal fortifications & harbour edges, informed by Fortifications on the Caribbean Side of Panama: Portobelo-San Lorenzo. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

PAN / Stone & substance

Panama

Coastal fortifications & harbour edges

Papua New Guinea: a tabletop material and section study exploring cultivation mounds & drainage lines. — Image note
Three original interpretations of cultivation mounds & drainage lines, informed by Kuk Early Agricultural Site. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

PNG / Stone & substance

Papua New Guinea

Cultivation mounds & drainage lines

Paraguay: a tabletop material and section study exploring mission ensembles & carved masonry. — Image note
Three original interpretations of mission ensembles & carved masonry, informed by Jesuit Missions of La Santísima Trinidad de Paraná and Jesús de Tavarangue. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

PRY / Stone & substance

Paraguay

Mission ensembles & carved masonry

Peru: an overhead material and section study of white granite cyclopean blocks & alpaca wool. — Image note
An interpretation of white granite cyclopean blocks & alpaca wool. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

PER / Stone & substance

Peru

White granite cyclopean blocks & alpaca wool

Philippines: a tabletop material and section study exploring vigan streets & cultural exchange. — Image note
Three original interpretations of vigan streets & cultural exchange, informed by Historic City of Vigan. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

PHL / Grain & direction

Philippines

Vigan streets & cultural exchange

Poland: a tabletop material and section study exploring reinforced concrete & radial space. — Image note
Three original interpretations of reinforced concrete & radial space, informed by Centennial Hall in Wrocław. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

POL / Stone & substance

Poland

Reinforced concrete & radial space

Portugal: an overhead material and section study of glazed cobalt azulejos & lioz limestone. — Image note
An interpretation of glazed cobalt azulejos & lioz limestone. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

PRT / Glaze & repetition

Portugal

Glazed cobalt azulejos & lioz limestone

Puerto Rico: a tabletop material and section study exploring harbour walls & coastal defence. — Image note
Three original interpretations of harbour walls & coastal defence, informed by La Fortaleza and San Juan National Historic Site in Puerto Rico. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

PRI / Stone & substance

Puerto Rico

Harbour walls & coastal defence

Qatar: a tabletop material and section study exploring courtyard remains & a trading harbour. — Image note
Three original interpretations of courtyard remains & a trading harbour, informed by Al Zubarah Archaeological Site. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

QAT / Stone & substance

Qatar

Courtyard remains & a trading harbour

Republic of the Congo: a tabletop material and section study exploring forest succession & savannah openings. — Image note
Three original interpretations of forest succession & savannah openings, informed by Forest Massif of Odzala-Kokoua. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

COG / Grain & direction

Republic of the Congo

Forest succession & savannah openings

Romania: a tabletop material and section study exploring timber churches & shingled towers. — Image note
Three original interpretations of timber churches & shingled towers, informed by Wooden Churches of Maramureş. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

ROU / Grain & direction

Romania

Timber churches & shingled towers

Russia: an overhead material and section study of perforated brickwork, structural timber & industrial steel. — Image note
An interpretation of perforated brickwork, structural timber & industrial steel. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

RUS / Stone & substance

Russia

Perforated brickwork, structural timber & industrial steel

Rwanda: a tabletop material and section study exploring montane forest & peatland openings. — Image note
Three original interpretations of montane forest & peatland openings, informed by Nyungwe National Park. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

RWA / Grain & direction

Rwanda

Montane forest & peatland openings

Saudi Arabia: a tabletop material and section study exploring najdi enclosures & an oasis edge. — Image note
Three original interpretations of najdi enclosures & an oasis edge, informed by At-Turaif District in ad-Dir'iyah. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

SAU / Stone & substance

Saudi Arabia

Najdi enclosures & an oasis edge

Senegal: a tabletop material and section study exploring historic enclosures & difficult heritage. — Image note
Three original interpretations of historic enclosures & difficult heritage, informed by Island of Gorée. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

SEN / Stone & substance

Senegal

Historic enclosures & difficult heritage

Serbia: a tabletop material and section study exploring white marble & painted interiors. — Image note
Three original interpretations of white marble & painted interiors, informed by Studenica Monastery. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

SRB / Stone & substance

Serbia

White marble & painted interiors

Sierra Leone: a tabletop material and section study exploring rainforest layers & river islands. — Image note
Three original interpretations of rainforest layers & river islands, informed by Gola-Tiwai Complex. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

SLE / Grain & direction

Sierra Leone

Rainforest layers & river islands

Slovakia: a tabletop material and section study exploring mining landscapes & civic squares. — Image note
Three original interpretations of mining landscapes & civic squares, informed by Historic Town of Banská Štiavnica and the Technical Monuments in its Vicinity. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

SVK / Metal & reflection

Slovakia

Mining landscapes & civic squares

Slovenia: a tabletop material and section study exploring bridges, markets & civic routes. — Image note
Three original interpretations of bridges, markets & civic routes, informed by The works of Jože Plečnik in Ljubljana – Human Centred Urban Design. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

SVN / Stone & substance

Slovenia

Bridges, markets & civic routes

Solomon Islands: a tabletop material and section study exploring raised coral & a former lagoon. — Image note
Three original interpretations of raised coral & a former lagoon, informed by East Rennell. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

SLB / Stone & substance

Solomon Islands

Raised coral & a former lagoon

Somalia: a tabletop material and section study exploring coral-stone streets & coastal repair. — Image note
Three original interpretations of coral-stone streets & coastal repair, informed by Building resilience for the future of Mogadishu’s Old Town. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

SOM / Stone & substance

Somalia

Coral-stone streets & coastal repair

Somaliland: a tabletop material and section study exploring painted shelters & granite outcrops. — Image note
Three original interpretations of painted shelters & granite outcrops, informed by Laas Geel, Somaliland. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

XSL / Stone & substance

Somaliland

Painted shelters & granite outcrops

South Africa: a tabletop material and section study exploring portable rush-mat dwellings. — Image note
Three original interpretations of portable rush-mat dwellings, informed by Richtersveld Cultural and Botanical Landscape. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

ZAF / Grain & direction

South Africa

Portable rush-mat dwellings

South Korea: an overhead material and section study of red pine, granite foundation stones & white porcelain. — Image note
An interpretation of red pine, granite foundation stones & white porcelain. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

KOR / Grain & direction

South Korea

Red pine, granite foundation stones & white porcelain

South Sudan: a tabletop material and section study exploring seasonal floodplains & migration routes. — Image note
Three original interpretations of seasonal floodplains & migration routes, informed by Boma–Badingilo Migratory Landscape. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

SSD / Grain & direction

South Sudan

Seasonal floodplains & migration routes

Spain: an overhead material and section study of trencadís ceramic mosaic. — Image note
An interpretation of trencadís ceramic mosaic. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

ESP / Glaze & repetition

Spain

Trencadís ceramic mosaic

Sri Lanka: a tabletop material and section study exploring granite height & constructed ascent. — Image note
Three original interpretations of granite height & constructed ascent, informed by Ancient City of Sigiriya. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

LKA / Stone & substance

Sri Lanka

Granite height & constructed ascent

Sudan: a tabletop material and section study exploring pyramidal mass & sacred landscape. — Image note
Three original interpretations of pyramidal mass & sacred landscape, informed by Gebel Barkal and the Sites of the Napatan Region. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

SDN / Stone & substance

Sudan

Pyramidal mass & sacred landscape

Suriname: a tabletop material and section study exploring timber townscapes & street rhythm. — Image note
Three original interpretations of timber townscapes & street rhythm, informed by Historic Inner City of Paramaribo. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

SUR / Grain & direction

Suriname

Timber townscapes & street rhythm

Sweden: an overhead material and section study of falu red painted timber, light birch & stucco. — Image note
An interpretation of falu red painted timber, light birch & stucco. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

SWE / Grain & direction

Sweden

Falu red painted timber, light birch & stucco

Switzerland: an overhead material and section study of valser quartzite stone & brushed stainless steel. — Image note
An interpretation of valser quartzite stone & brushed stainless steel. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

CHE / Metal & reflection

Switzerland

Valser quartzite stone & brushed stainless steel

Syria: a tabletop material and section study exploring citadel, souqs & connected urban fabric. — Image note
Three original interpretations of citadel, souqs & connected urban fabric, informed by Ancient City of Aleppo. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

SYR / Stone & substance

Syria

Citadel, souqs & connected urban fabric

Taiwan: a tabletop material and section study exploring yingge clay & ceramic production. — Image note
Three original interpretations of yingge clay & ceramic production, informed by Pottery Town. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

TWN / Glaze & repetition

Taiwan

Yingge clay & ceramic production

Tajikistan: a tabletop material and section study exploring early settlement & valley exchanges. — Image note
Three original interpretations of early settlement & valley exchanges, informed by Proto-urban Site of Sarazm. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

TJK / Stone & substance

Tajikistan

Early settlement & valley exchanges

Tanzania: a tabletop material and section study exploring swahili courtyards & coastal streets. — Image note
Three original interpretations of swahili courtyards & coastal streets, informed by Stone Town of Zanzibar. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

TZA / Stone & substance

Tanzania

Swahili courtyards & coastal streets

Thailand: a tabletop material and section study exploring monument groups & open precincts. — Image note
Three original interpretations of monument groups & open precincts, informed by Historic Town of Sukhothai and Associated Historic Towns. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

THA / Stone & substance

Thailand

Monument groups & open precincts

Timor-Leste: a tabletop material and section study exploring tais cotton & dyed threads. — Image note
Three original interpretations of tais cotton & dyed threads, informed by Tais, traditional textile. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

TLS / Grain & direction

Timor-Leste

Tais cotton & dyed threads

Togo: a tabletop material and section study exploring earthen tower-houses & village space. — Image note
Three original interpretations of earthen tower-houses & village space, informed by Koutammakou, the Land of the Batammariba. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

TGO / Stone & substance

Togo

Earthen tower-houses & village space

Trinidad and Tobago: a tabletop material and section study exploring shaped steel & tuned surfaces. — Image note
Three original interpretations of shaped steel & tuned surfaces, informed by Steelband. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

TTO / Metal & reflection

Trinidad and Tobago

Shaped steel & tuned surfaces

Tunisia: a tabletop material and section study exploring stone columns & mosque courtyards. — Image note
Three original interpretations of stone columns & mosque courtyards, informed by Kairouan. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

TUN / Stone & substance

Tunisia

Stone columns & mosque courtyards

Türkiye: an overhead material and section study of i̇znik ceramic tile, marmara marble & copper domes. — Image note
An interpretation of i̇znik ceramic tile, marmara marble & copper domes. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

TUR / Glaze & repetition

Türkiye

İznik ceramic tile, Marmara marble & copper domes

Turkmenistan: a tabletop material and section study exploring oasis-city layers & enduring monuments. — Image note
Three original interpretations of oasis-city layers & enduring monuments, informed by State Historical and Cultural Park “Ancient Merv”. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

TKM / Stone & substance

Turkmenistan

Oasis-city layers & enduring monuments

Uganda: a tabletop material and section study exploring thatch, reeds & royal enclosure. — Image note
Three original interpretations of thatch, reeds & royal enclosure, informed by Tombs of Buganda Kings at Kasubi. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

UGA / Grain & direction

Uganda

Thatch, reeds & royal enclosure

Ukraine: a tabletop material and section study exploring medieval streets & layered facades. — Image note
Three original interpretations of medieval streets & layered facades, informed by L'viv – the Ensemble of the Historic Centre. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

UKR / Stone & substance

Ukraine

Medieval streets & layered facades

United Arab Emirates: a tabletop material and section study exploring adobe, stone tombs & oasis channels. — Image note
Three original interpretations of adobe, stone tombs & oasis channels, informed by Cultural Sites of Al Ain (Hafit, Hili, Bidaa Bint Saud and Oases Areas). These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

ARE / Stone & substance

United Arab Emirates

Adobe, stone tombs & oasis channels

United Kingdom: an overhead material and section study of portland stone & cast iron. — Image note
An interpretation of portland stone & cast iron. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

GBR / Stone & substance

United Kingdom

Portland stone & cast iron

United States: an overhead material and section study of reinforced cantilever concrete & steel. — Image note
An interpretation of reinforced cantilever concrete & steel. The architecture and section drawing are imagined studies, rather than records of a particular building or construction detail.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

USA / Stone & substance

United States

Reinforced cantilever concrete & steel

Uruguay: a tabletop material and section study exploring reinforced brick & undulating vaults. — Image note
Three original interpretations of reinforced brick & undulating vaults, informed by The work of engineer Eladio Dieste: Church of Atlántida. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

URY / Glaze & repetition

Uruguay

Reinforced brick & undulating vaults

Uzbekistan: a tabletop material and section study exploring brick walls & courtyard thresholds. — Image note
Three original interpretations of brick walls & courtyard thresholds, informed by Itchan Kala. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

UZB / Glaze & repetition

Uzbekistan

Brick walls & courtyard thresholds

Vanuatu: a tabletop material and section study exploring island routes & remembered places. — Image note
Three original interpretations of island routes & remembered places, informed by Chief Roi Mata’s Domain. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

VUT / Stone & substance

Vanuatu

Island routes & remembered places

Venezuela: a tabletop material and section study exploring earthen walls & layered building traditions. — Image note
Three original interpretations of earthen walls & layered building traditions, informed by Coro and its Port. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

VEN / Stone & substance

Venezuela

Earthen walls & layered building traditions

Vietnam: a tabletop material and section study exploring imperial enclosures & river alignment. — Image note
Three original interpretations of imperial enclosures & river alignment, informed by Complex of Hué Monuments. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

VNM / Stone & substance

Vietnam

Imperial enclosures & river alignment

Western Sahara: a tabletop material and section study exploring windblown sand & atlantic edges. — Image note
Three original interpretations of windblown sand & atlantic edges, informed by Dust storm off Western Sahara. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

ESH / Stone & substance

Western Sahara

Windblown sand & Atlantic edges

Yemen: a tabletop material and section study exploring earthen tower-houses & dense streets. — Image note
Three original interpretations of earthen tower-houses & dense streets, informed by Old City of Sana'a. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

YEM / Stone & substance

Yemen

Earthen tower-houses & dense streets

Zambia: a tabletop material and section study exploring basalt gorges & suspended water. — Image note
Three original interpretations of basalt gorges & suspended water, informed by Mosi-oa-Tunya / Victoria Falls. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

ZMB / Light & depth

Zambia

Basalt gorges & suspended water

Zimbabwe: a tabletop material and section study exploring granite boulders & rock shelters. — Image note
Three original interpretations of granite boulders & rock shelters, informed by Matobo Hills. These images explore material and spatial ideas; they are not documentary views or measured reconstructions of the reference. The palette is drawn from the material portrait.
Publication credit: The Chromologium.
Image credits and reuse
The colour strip is the entry’s study palette. Artwork sources and image credits and reuse terms are recorded in the archive.
Artwork record

ZWE / Stone & substance

Zimbabwe

Granite boulders & rock shelters

Questions about the atlas

Archival Inquiry & Search Tree

Interactive recursive knowledge graph answering high-intent questions on OKLCH color science, diurnal UX, diegetic materiality, and machine governance.

Topic: The Design Atlas & Global Material Cartography1 Core Inquiries